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Tag Archives: Marc Quinn

London Art Fairs 2011: Bold and Textured

16 Oct

So, it’s show time for the art world in London.  Across the fairs and events visited thus far it seems there are trends for colourful work in bold primary and secondary colours and for textured work.

These themes began to emerge at the Pavilion of Art & Design London, where works for sale particularly include a number of pieces by Agostino Bonalumi on Galerie Vedovi’s stand, which build geometric patterns by stretching the canvas over various obstacles, some slashed work by Lucio Fontana, several Antoni Tàpies relief paintings, and a collection of collages by Roy Lichtenstein plus a design for a contemporary tapestry.  Here there seemed to be a particular choice of works with texture as the fair also contains a number of design stands, whilst the majority of work for sale is mid twentieth century.

At the Frieze Art Fair, Marc Quinn has left his Fingerprints all over Galerie Thaddaeus Ropac’s stand.  Indicating personal identity, authorship and uniqueness, the coloured version of this relief work seems to highlight the bacteria we may come in contact with in our daily lives, each secreting itself in a different groove in the texture of the finger print.

Fingerprints by Marc Quinn at Frieze Art Fair

Magali ReusBalance Sheet series on Galerie Fons Welters’ stand contrasts roughly textured silicon rubber with shiny, smooth aluminium grilles.

Balance Sheet Series (2011) by Magali Reus at Frieze Art Fair

Nick van Woert’s Not Yet Titled 7 (2011) on Yvon Lambert’s stand references Liam Gillick’s work and acts as a room divider almost akin to Richard Serra’s Titled Arc (1981), but is partially transparent.  A series of equal blocks are stacked horizontally, each containing different textured materials in different bold colours, including liquids, loft insulation, wire wool, chippings and powder.

Not Yet Titled 7 (2011) by Nick van Woert at Frieze Art Fair

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All That Glitters Isn’t Necessarily Gold

9 Mar

Hew Locke: Starchitect. Image courtesy of the artist, ArtSway and Hales Gallery, London.

Hew Locke‘s exhibition at ArtSway consists of works made of a variety of gold and silver plastic from pound shops, the most striking of which form shields with crossed swords behind, like would belong in a mediaeval castle.  Additionally plastic pearl necklaces have been used to draw royal crests on plain white fabric squares that hang like Royal Standards, which could be attached to trumpets heralding the forthcoming royal wedding.  Locke’s work is contained in a structure something like a bedouin tent constructed inside the gallery from sheets of plywood.  Each of these is pierced by numerous large star shapes through which the gallery lighting plus some additional lights shine through, creating something closer to a planetarium.

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