Hew Locke‘s exhibition at ArtSway consists of works made of a variety of gold and silver plastic from pound shops, the most striking of which form shields with crossed swords behind, like would belong in a mediaeval castle. Additionally plastic pearl necklaces have been used to draw royal crests on plain white fabric squares that hang like Royal Standards, which could be attached to trumpets heralding the forthcoming royal wedding. Locke’s work is contained in a structure something like a bedouin tent constructed inside the gallery from sheets of plywood. Each of these is pierced by numerous large star shapes through which the gallery lighting plus some additional lights shine through, creating something closer to a planetarium.
All That Glitters Isn’t Necessarily Gold
9 Mar- Comments 1 Comment
- Categories Art, Contemporary Art, Entertainment, News and politics, Photography
Featured Articles
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Life as a Veneer
In retrospect, at a selection of exhibitions in London over the winter a number of works emerged which use veneers and discuss thin surfaces. At the end of 2012 Henrik Schrat exhibited a series of two dimensional works at IMT Gallery made in the marquetry tradition from tessellated pieces of different woods that form scenes for […]
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Frieze London 2012 Takes A Look Outside
London’s annual art annual spectacle is upon us again. This year a selection of the work for sale at the Frieze Art Fair seems to be extrospective. As London opened its doors to the world, inviting visitors to the Olympic Games in the summer and again for Frieze itself, these artworks seem to use windows […]
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A Return to Classicism
Correlations between art and politics have been repeatedly shown and this is clearly apparent among a selection of this year’s graduates that have returned to classical forms, responding to economical situations in Greece particularly. Perhaps this will become known as Post Neo-Classicism or Anarchaic Art. At Goldsmiths Hannah Lyons (BA Art Practice) has created a […]
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Creating Distorted Figures
Tate Britain‘s exhibition Picasso and Modern British Art sets out to trace Pablo Picasso‘s influence on Britain. Hence much of the exhibition looks at British artists influenced by Picasso, including Henry Moore, Francis Bacon and Ben Nicholson, drawing upon the research carried out for other recent exhibitions and the Tate’s own collection, and the exhibition consequently […]
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Mapping the Collection
The Linear B exhibition at the Stephen Lawrence Gallery has been curated and created around the principle that each artist’s exhibited work takes inspiration from an artwork in the collection of the late artist Nikos Alexiou. What emerges are a whole series of other connections that can be seen in the work to other artists, […]
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Index of Articles
- Life as a Veneer
- Frieze London 2012 Takes A Look Outside
- A Return to Classicism
- Creating Distorted Figures
- Mapping the Collection
- The Sculpture of Gabriel Kuri and Others
- London Art Fairs 2011: Bold and Textured
- When Does Minimalism Become Too Minimal?
- Works of Art for All Surfaces
- The Kinetic Flow of Light
- The World in Miniature
- The Art of Selling and the Selling of Art
- Under the Surface
- Nothing’s Ever As Simple As Black and White
- Explorations in Materiality and Texture
- Artists Making a Mark with their Bodies
- A Comparative Study in Space and Sound
- The Gallery as a Dance Hall
- All That Glitters Isn’t Necessarily Gold
- Constructing Photography Now
- Drawing in space
- Curated to Confuse?
- New Contemporaries
- Gauguin, etc.
- 2011, The Year Ahead
- Still (expanded post)
- Welcome to ArtCritiqued.com
- fotolog/
- Tate Britain Summer 2010
- All Systems Go




