Placebo Syndrome (2011) by David Mullen at Tank Gallery
David Mullen’s paintings in The Pleasure Principle at Tank Gallery are an appealing sculptural form. By applying monochromatic layers of thick impasto oil paint to his canvases and then covering with one or more layers of gloss paint, Mullen has been able to allow the surface to dry solid whilst the interior remains liquid enough to peel the surface back into a sculpture with the surface of the painting cut away and hanging off the wall. These works, particularly the grey Placebo Syndrome are almost like a sardine can that has had its lid curled back halfway, exposing the yellow filling, whilst the framed work The Perfect Crime directly illustrates the paint coming out of the canvas, peeling back the layers towards the found picture beneath. From a similar thought process Eunkyung Lee’s circular paintings Collected Samples in the Slade MA show are on castors and invited to be kicked around the space to knock against one another and reveal the multiple layers of imagery that are built up on their surfaces. Hence the work becomes an interactive piece in the creating of new, constantly evolving work through the combination of fragmented images akin to peeling back the layers of adverts on a traditional billboard.
Collected Samples 2, 6, 11 by Eunkyung Lee
